Contemporary works at Cardiff Museum: Searching for the perfect object.Posted: September 24, 2014
This collection of porcelain pots, titled “Porcelain Wall” by Edmund de Waal was created specifically for the museum. Although they appear to be similar they have been glazed using seventeen different recipes and each piece has indented marks left by the maker, which makes each piece individual and unique. The concept for the makers marks has come from a fascination with studio pottery and the marks each leaves on a piece. I think this works well as a concept, as it hints at the idea of mass production but is kept behind glass, never to be touched.
Paul Emmanuel’s “Fleece Paintings” are something I first encountered during his exhibition in 2011 at Oriel Myrddin in Carmarthen. The use of found objects, the fleece collected from the rural hills and farms of the Welsh landscape, in this way is individual to the artist. The styling of the fleece in a similar manner to human hair anthropomorphises the sheep fleece to give a captivating combination between man made materials and the natural environment that speaks of the Welsh landscapes struggle with the sprawling urban communities.
This is a part of a series of works called “Ice Tea Pots” by Rajesh Gogna. Created in sterling silver these vessels appear to be shapes hammered from sheet metal, yet they are functional objects. I find the choice of material interesting, as they are created in silver, which hints at an object to be admired and treasured as opposed to used. It has similar connotations to the works of Memphis, as it breaks the rules of a conventional tea pot. It also breaks the boundary between high art and low art due to the alluring silver and the opposition of the functional aspect of the artefact. I feel this has many links to my work as I have been working on a similar boundary with the bronze cast light box.